Bachata Costumes Men Men Dance Fashion Latin

Wide range of dances originating in Latin America, Republic of cuba and Puerto Rico

Intermediate level international-style Latin dancing at the 2006 MIT ballroom dance competition. A estimate stands in the foreground.

Latin trip the light fantastic toe is a general label, and a term in partner trip the light fantastic competition jargon. It refers to types of ballroom dance and folk dance that (with few exceptions such as the United States) originated in Latin America.

The category of Latin dances in the international dancesport competitions consists of the cha-cha-cha, rumba, samba, paso doble, and as well the jive of U.s.a. origin.^[1] ^[ii]

Social Latin dances (Street Latin) include salsa, mambo, merengue, rumba, bachata, bomba and plena. There are many dances which were popular in the get-go office of the 20th century, but which are now of only historical interest. The Cuban danzón is a skillful example.^[iii]

Perreo is a Puerto Rican trip the light fantastic toe associated with reggaeton music with Jamaican and Caribbean area influences. Argentinian folk dances are chacarera, escondido and zamba, also tango used to be a popular dance until the mid-20th century. Cueca is Chilean folk trip the light fantastic. Uruguayan folk dances are pericón, polka, ranchera, etc, also candombe is a common street and parade dance in the cities. Typical Bolivian folk dances are the morenada, kullawada, caporales and the recently created tinku. In Republic of colombia, one of the typical dances is the cumbia.^[4] ^[5]

Origin [edit]

Latin dancers in their costumes. The adult female is wearing backless dress with deep slits on its lower portion, while the man is wearing a shirt with top buttons open.

Nastassja Bolívar, winner of Nuestra Belleza Latina 2011 and Miss Nicaragua 2013, and Top sixteen finalist at Miss Universe 2013

Latin dance's influence was outset derived from their native roots, the Aztecs, Guarani, Aymara, Incas and Tehuelches among others. When sixteenth-century seagoing explorers returned home to Portugal and Spain, they brought along tales of the native peoples. According to Rachel Hanson, no i knows how long these dance traditions were established, but they were already being adult and ritualized when they were observed by the Europeans. This suggests that these Native influences became the foundation for Latin dancing.^[6] Indigenous dance often told stories of everyday activities such as hunting, agriculture, or astronomy. When European settlers and conquistadors began to colonize South America in the early sixteenth century, they reinvented the local trip the light fantastic traditions, but still kept the styles of the natives. Catholic settlers merged the native culture with their own and incorporated catholic saints and stories to the dance. The Europeans were absorbed by the highly structured, large fellow member trip the light fantastic working together in a precise manner.

Afterward the Europeans brought habitation the Aztec/Inca influences in the sixteenth century, they incorporated their own styles to the trip the light fantastic toe. Since the Aztec/Inca dances were performed in a group, many of the European dances were performed by a male person and female person. This was a new exercise because European dances prohibited male person and female trip the light fantastic toe partners from touching each other. The benefits of such a trip the light fantastic mode immune musical appreciation and social integration, which became the form of Latin trip the light fantastic. However, "much of the storytelling chemical element disappeared from the genre as the focus moved toward the rhythm and steps,"^[six] Hanson explains. The movement evolved differently because it brought a certain element of daintiness to the Aztec dances since the steps were smaller and the movements were less forceful. Combining African styles along with the Native and European influences is what truly makes Latin possible.

The motility and rhythms of African influences left a permanent marker in Latin dance. When the African slaves were forced to Europe in the 1500s, their culture brought styles such as bones, simple movements (putting emphasis on the upper torso, torso, or feet) and intricate movements like the coordination of different trunk parts and complex actions such every bit "fast rotation, ripples of the body, and contraction and release, as well as variations in dynamics, levels, and use of space."^[7] ^[8] The deviation between the African and European styles was that it included bent knees and a downward focus (grounded to the earth) rather than a straight-backed upward focus like the Europeans, and whole-foot steps than toes and heels. These influences from African roots take immune Latin dance to become what it is today.

Development [edit]

Many trip the light fantastic styles from different areas of the world were integrated into Latin dance. Such styles came almost which comprised the chief categories of Latin dancing: Salsa, Mambo, Merengue, Rumba, Cha Cha Cha, Bachata, and Samba. Music became the engine for Latin dancing because it guided the dance steps with its mensurate, speed, and the feeling it evoked, from energetic to sensual. Diverse Latin American regions developed independent styles, and from each genre, or combination of styles, a different genre was born. For example, the Mambo which was created in the 1940s emerged through the combination of American swing and Cuban Son music.

The modernization of Latin dance [edit]

Following the music, movement history, and the rhythms, Latin dance evolved over fourth dimension and individual steps slowly shifted the repertoire of each dance. It has several unlike forms and many modernized styles which creates a trouble because it is shifting away from its Native, European, and African roots. A popular aerobic trip the light fantastic toe class known equally Zumba is said to be influenced by Latin rhythm and steps. Yet, at that place are disagreements among Latin dancers about whether Zumba is a truthful Latin dance.^[9]

Come across also [edit]

International Latin American Dance Champions
Globe Latin Dance Champions

References [edit]

^ Lavelle, Doris 1983. Latin & American dances. 3rd ed, Black, London, p108.
^ The reason jive is included with the Latin dances is that its dance style is similar: "... a non-progressive trip the light fantastic toe which tin can be danced in a minor space when the floor is crowded". and "The hold is like to Latin dances" [meaning, it is quite different from the modern or ballroom dances]. Silvester, Victor 1977. Dancing: ballroom, Latin-American and social, 105/6. ISBN 0-340-22517-iii. Teach Yourself Books
^ Santos, John. 1982. The Cuban Danzón (liner notes). New York, Folkways Records FE 4066
^ Box, Ben (1992). South American Handbook. New York City: Trade & Travel. At the start of each affiliate (except the Guianas) is a section on "Music and Dance" written by Nigel Gallop, an Englishman, fluent in Spanish and Portuguese, who lived and worked in almost every country of Southward America.
^ Box, Ben; Cameron, Sarah (1992). Caribbean Islands Handbook. New York Metropolis: Trade & Travel. Trip the light fantastic toe data is provided under "Civilization" headings.
^ ^a ^b "History of Latin Dance". LoveToKnow . Retrieved 2016-04-25 .
^ Guide, Africa. "African People and Culture". www.africaguide.com . Retrieved 2016-04-25 .
^ "Contempo from Latin Dancing Shoes". LT Dancers.
^ "Zumba Is A Hit Only Is It Latin?". NPR.org . Retrieved 2016-04-25 .